But we've also got some young kids that come along, whether that's because bands that they listen to name-check us as influences or the way that people get their music now. That's probably the bulk of the audience. ![]() We've got the hardcore fans that have grown with us, that are probably now in their 30s and 40s. Which I guess is who you want to target first of all, and then hopefully the word will spread out from that real fan base.ĭo you feel like that hardcore fan base has changed throughout the years? You know, it probably has changed. So it's really about looking into ourselves, and being who we are, and I think it really worked and I think it's really gone down very well with our hardcore fan base. ![]() ![]() He got Simon to sing in a very similar style to those early records, and multi-tracking vocals. He used to come say like, "Roger, one of your best drum beats was 'Girls On Film.' Don't be afraid to do it again." And he got John playing that funky kind of disco bass that he's great at, he got Nick working with his old analog synths he hadn't used since God knows when. But Mark was all about really looking inward, looking at ourselves and not being ashamed of who we are. You try to be like the latest band that's come out, or somebody who's having a great career, and so you try and change your sound a little bit. But I think when you've been around for a long time, and you try to be contemporary, you try to follow other people. We've been kind of chasing other people for a number of years. He said that the first band he was ever in, in school, used to play "The Wild Boys," and he knew every song from every album and every b-side that we released, so not only did we have this great contemporary producer coming in, he also knew our sound, and knew how to get back to the core of that Duran Duran sound that we've kind of been missing for a while.ĭo you think he brought any outside influences to the album? We didn't really look outside ourselves very much on this record. And he was coming from a real fan perspective as well. He had just won a Grammy, he worked with Amy Winehouse, he worked with Adele, he had this great solo career going and we just thought he was probably a good person to work with. We crossed paths with Mark when we did a small show in Paris and he just seemed like a great guy. We actually met Mark kind of accidentally. I mean, it was a little bit like a dream. How did that go? And how did you get together with him? That went really fantastic. Mark Ronson produced your latest album, All You Need Is Now. Simon had some vocal issues through the summer, so we had to cancel quite a lot of shows. How is the tour coming along so far? Fabulous, actually. In anticipation of Duran Duran's Thursday night tour stop at the Verizon Theatre in Grand Prairie, we had the opportunity to chat up the band's drummer, Roger Taylor, about the new album, the new tour and why he wishes he'd held onto his '80s wardrobe. More recently, the band released last year a new album called All You Need Is Now that was produced by musician and producer Mark Ronson (known for his work with the likes of Adele and Amy Winehouse) and the band's now back on the road, celebrating their 30-year-old catalog of music. ![]() The band took a hiatus for a stint, before reuniting in 2001. It is, however, a little more forgivable to not be up to date with Duran Duran's current whereabouts. Love 'em or hate 'em, the supergroup wrote some of the most memorable songs of the '80s: "A View To A Kill," "The Reflex" and "Hungry Like The Wolf" are only a few of the many songs from the band that made an appearance on the Billboard Hot 100 charts. Let's be real: If you've never heard of Duran Duran you clearly haven't been paying attention for the last three decades.
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